Posthuman Vernacular Exhibition

Glichen is an animation short based on a short story Aya is co-creating with artificial intelligence. Glichen is a galactic guardian of the digital galaxy and she recharges by flowing through the titanium tunnel underneath Saturn’s rings.

All Now In Time is the second piece in a stream of mutated documentation generated from Veeler’s ongoing performance series called A Time Capsule Or A Grave. The virtual space and the audio recorded from IRL performances installed therein remain accessible on the web at https://newart.city/show/time-capsule-or-grave

VERSA is an emergent AI poet developed by theVERSEverse x Ross Goodwin, trained on the collective and ever-expanding poetry of the writers of theVERSEverse. This poem by VERSA was generated in response to the curatorial statement for “Posthuman Vernacular” (a survey of the emergent languages in digital art curated by Jesse Damiani, hosted by Algorand at Paris Blockchain Week, March 2023), via ten keyword prompts: exponential, disorientation, postreality, translators, fluencies, inquiry, memory, Louvre, light, carousel. #VERSESbyVERSA theVERSEverse.com

Skin Suits is a series of self-portraits exploring the misuse of technological tools to highlight the softness of the human form. Through the process of digitizing and unwrapping, the body is mapped through the machine gaze, exposing unique computational visions of flesh.

“Creatures of Prometheus #3” builds upon Peter Wu+’s “Prometheus” series which began in 2018. This piece is part of an evolving project extending the artist’s concentrated examination of our relationship to technology, evolution, and otherness.

Generated using DALL·E 2, the text prompt for “Dream Gal” was inspired by 90s fashion editorials starring iconic supermodels of the era.

Orkhan Mammadov uses machine learning and AI to reinvent traditional carpet design techniques, recontextualizing historical ornamental carpet patterns into the digital age. In his artwork ‘Relic’, Mammadov collaborates with AI to produce unique yet familiar patterns, questioning cultural appropriation and reclaiming ownership of deep-rooted cultural traditions in a contemporary context. Mammadov expands the interpretation of patterns beyond carpet weaving to computing systems that recognize regularities in data sets, blurring the lines between fine art and crafts through technology. ‘Relic’ proposes alternative futures for multiculturalism across technologies, uniting the old and new to reinvent each other.

AI neural style transfer treatment of footage of the Duomo di Milano taken by Mohler in 2021. A continuation of the “Painted Cities” series, which explores the subconscious of Ai and painted video. Part of the generative and Ai art movement.